{"id":319,"date":"2026-05-10T12:11:06","date_gmt":"2026-05-10T12:11:06","guid":{"rendered":"https:\/\/hasefer.ro\/?p=319"},"modified":"2026-05-12T19:25:57","modified_gmt":"2026-05-12T19:25:57","slug":"emil-nicolae-scriitori-si-artisti-moderni-si-avangardisti-evrei-si-romani","status":"publish","type":"post","link":"https:\/\/hasefer.ro\/?p=319","title":{"rendered":"Emil Nicolae, \u201eScriitori \u0219i arti\u0219ti\/moderni \u0219i avangardi\u0219ti\/evrei \u0219i rom\u00e2ni\u201d"},"content":{"rendered":"<style>.kb-image319_9a0be3-85 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image319_9a0be3-85 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"390\" height=\"300\" src=\"https:\/\/hasefer.ro\/wp-content\/uploads\/2026\/05\/emil-nicolae-scriitori-si-artisti.png\" alt=\"\" class=\"kb-img wp-image-310\" srcset=\"https:\/\/hasefer.ro\/wp-content\/uploads\/2026\/05\/emil-nicolae-scriitori-si-artisti.png 390w, https:\/\/hasefer.ro\/wp-content\/uploads\/2026\/05\/emil-nicolae-scriitori-si-artisti-300x231.png 300w\" sizes=\"auto, (max-width: 390px) 100vw, 390px\" \/><\/figure>\n\n\n\n<p>Iat\u0103 ce spune despre aceast\u0103 carte de studii \u0219i eseuri despre art\u0103 \u0219i literatur\u0103 criticul R\u0103zvan Voncu \u00een num\u0103rul 33\/2022 al revistei <em>Rom\u00e2nia literar\u0103<\/em>:<\/p>\n\n\n\n<p>\u201eIntitulat\u0103 <em>Scriitori \u0219i arti\u0219ti\/moderni \u0219i avangardi\u0219ti\/evrei \u0219i rom\u00e2ni<\/em>, cartea lui Emil Nicolae \u2013 poet \u0219i, mai ales, critic de art\u0103 cu contribu\u021bii solide \u00een cercetarea avangardei rom\u00e2ne\u0219ti \u2013 sintetizeaz\u0103 cu m\u00e2n\u0103 sigur\u0103 c\u00e2teva dintre caracteristicile fundamentale ale acestei mi\u0219c\u0103ri artistice. Studiile \u0219i eseurile care o alc\u0103tuiesc, consacrate unor personalit\u0103\u021bi rom\u00e2ne\u0219ti \u0219i europene ca Tristan Tzara, Geo Bogza, Sa\u0219a Pan\u0103, Jacques Herold, D. Trost, Gherasim Luca, Paul Celan, A.L. Zissu, Jules Pascin, Arturo Schwartz, Victor Brauner \u0219.a., identific\u0103 precis tr\u0103s\u0103turile definitorii ale avangardei: sincretismul (vizibil \u00een expozi\u021biile \u0219i \u00een publica\u021biile ei), orizontul interna\u021bional (rezultat al reac\u021biei antir\u0103zboinice din anii Cabaretului Voltaire), rela\u021biile ambigue pe care le stabile\u0219te cu modernismul (evidente, \u00een cazul unor creatori ca Franz Kafka, bun\u0103oar\u0103) \u0219i, mai ales \u00een ce prive\u0219te spa\u021biul rom\u00e2nesc, contribu\u021bia deosebit\u0103 a creatorilor de origine evreiasc\u0103.<\/p>\n\n\n\n<p>(&#8230;) Nu e cazul s\u0103 ne mire faptul c\u0103 forma\u021bia ini\u021bial\u0103, de critic de art\u0103, a lui Emil Nicolae \u00eel face s\u0103 favorizeze, \u00eentr-o anumit\u0103 m\u0103sur\u0103, domeniul de predilec\u021bie. \u0218i anume, rela\u021bia dintre plastic \u0219i scriptural, \u00een descrierea unor trasee \u0219i intersec\u021bii ale avangardei. (&#8230;) Poetul Emil Nicolae este un cititor cu ochi fin, atent la detalii, \u0219i un spirit echilibrat, capabil s\u0103 p\u0103streze nuan\u021bele chiar \u0219i \u00een studii ce abordeaz\u0103 probleme care \u00eel pasioneaz\u0103 sau creatori care \u00eei plac \u00een mod v\u0103dit. (&#8230;)<\/p>\n\n\n\n<p><em>Scriitori \u0219i arti\u0219ti\/moderni \u0219i avangardi\u0219ti\/evrei \u0219i rom\u00e2ni <\/em>realizeaz\u0103, \u00een cele din urm\u0103, din fragmente, un original \u201ecolaj\u201d interpretativ care fire\u0219te c\u0103 se adreseaz\u0103, \u00een primul r\u00e2nd, cunosc\u0103torului. \u00cens\u0103 tocmai aceast\u0103 ini\u021biere necesar\u0103 \u0219i presupus\u0103 \u00eel ajut\u0103 pe Emil Nicolae s\u0103 nu coboare \u00een locul comun \u0219i, mai ales, s\u0103 p\u0103streze \u00een fundalul cercet\u0103rii sale o \u201eram\u0103\u201d bun\u0103, o imagine de ansamblu corect\u0103 \u0219i veridic\u0103 a fenomenului avangardei. (&#8230;)<\/p>\n\n\n\n<p>Apreciez \u00een special naturale\u021bea \u0219i modul netriumfal \u00een care Emil Nicolae insereaz\u0103 capitolele numeroase consacrate arti\u0219tilor \u0219i scriitorilor rom\u00e2ni \u00een acea \u201eram\u0103\u201d european\u0103 de care vorbeam. E nu numai o dovad\u0103 de maturitate critic\u0103, e \u0219i una de fidelitate fa\u021b\u0103 de \u00eensu\u0219i spiritul interna\u021bional al avangardei.\u201d<\/p>\n\n\n\n<p>ISBN: 978-973-630-494-1 | 220 pag. | Format: 20&#215;21 cm<\/p>\n\n\n\n<p>Anul apari\u021biei: 2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iat\u0103 ce spune despre aceast\u0103 carte de studii \u0219i eseuri despre art\u0103 \u0219i literatur\u0103 criticul R\u0103zvan Voncu \u00een num\u0103rul 33\/2022 al revistei Rom\u00e2nia literar\u0103: \u201eIntitulat\u0103 Scriitori \u0219i arti\u0219ti\/moderni \u0219i avangardi\u0219ti\/evrei \u0219i rom\u00e2ni, cartea lui Emil Nicolae \u2013 poet \u0219i, mai ales, critic de art\u0103 cu contribu\u021bii solide \u00een cercetarea avangardei rom\u00e2ne\u0219ti \u2013 sintetizeaz\u0103 cu m\u00e2n\u0103&#8230;<\/p>\n","protected":false},"author":1,"featured_media":310,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-si-istoria-artei"],"_links":{"self":[{"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/posts\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hasefer.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=319"}],"version-history":[{"count":3,"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/posts\/319\/revisions"}],"predecessor-version":[{"id":479,"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/posts\/319\/revisions\/479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hasefer.ro\/index.php?rest_route=\/wp\/v2\/media\/310"}],"wp:attachment":[{"href":"https:\/\/hasefer.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasefer.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasefer.ro\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}